They don’t have it, but they actually have a set made of multiple elements in which every surface is covered in light bulbs, literally. We are not interested in such a thing”, comments Xavier in the Making Of. The Weeknd has already made it with his 50-meter screen not so long ago. The brutal lighting script belongs to Vincent Lerisson –AKA the third Justice member–, their director in that regard since the duo very beginning who had already killed it with the conception of the “Every artist is always wanting to have the biggest LED screen. The illuminated objects acquire a brand new meaning. The slow and lengthy camera moves and transitions just confuse the viewer and immerse him in an infinite space experience, without knowing where he is or what he is exactly watching. It is a perfect translation, the newly created images are delightful for the eye. Light is turned into matter due to this machine which is able of creating multiple visual landscapes that translate with absolute fidelity each layer of sound. Perfectly chosen frames and camera moves with an impeccable edition that just exalted the act. The montage was taken to an empty space without any audience nor typical concert interruptions and recorded with a floating camera by the sharpening photography taste of Andre Chemetoff, the co-director. In the end, they are not just the two of them but an entire committed high-level team, materializing top-class ideas under this couple’s drive and creative direction. It took them to the And we received an unexpected movie from this duo that is always pushing the boundaries farther and farther, setting the standard higher and higher while co-working with a group of people that have worked together for more than ten years, evolving constantly. Xavier de Rosnay and Gaspard Augé have capitalized enormously their album Woman.

An already existent universe that was there to be portrayed.

The same show we lived –it was mind-blowing for us in Bogotá at Estéreo Picnic Festival–, but too many steps forward. Long story short, those guys were so proud of the result that they wanted to register and conserve it for posterity, not to let it vanish in the forgetfulness of time.

A visual record of Justice’s Woman Worldwide, one of the most powerful live acts in nowadays electronic music, that took them around the world in 20. A movie about a concert, or at least that was the expectation before entering the cinema. We stay for a couple of minutes trying to overcome what we just saw. The movie is ended and nobody stands up yet.

Iris a space opera